The artist's work consists of a huge collection of buildings, from small town shops and homes to quonset huts and churches. The portrayal of regionalism and Saskatchewan vernacular had a stirring sense of approachability and homeyness. The uncoated paper throughout was chosen to support this feeling of accessibility.
The front cover type includes "flocking" a tactile, black velvet-like treatment that the artist often used in his printmaking. Also featured are orange end papers, a matching orange ribbon and a CD inserted at the rear of the book.